原标题：以色列大师Liron Man【手碟工作坊】 | 10月北京，报名开端
Pantam Festival - 2018 Tel Aviv
欢迎我们参与由RedThread Intl(红线国际)举行的手碟大师工作坊！这次工作坊有幸约请到了国际闻名的以色列音乐家、手碟演奏家Liron Man李荣满教师为各位小众乐器和声响疗愈爱好者举行大师工作坊。
宫徵社作为此次活动的协作方，一向致力于小众乐器和声响疗愈文明推行，拉近音乐家和爱好者的间隔，往后将继续举行各类扮演、公开课和工作坊，敬请我们继续重视！（以下内容由“Artful艺术日子Living”供给）
课程简介
COURSE INTRODUCTION
学习手碟的进程十分风趣，由于手碟是一种直观的个人乐器，与许多其它乐器十分不同。而李荣满在2005年就开端使用手碟来进行演奏、创造，并在此实践进程中研究出许多共同的演奏技巧。
李荣满在教学进程中会向学生传达他第一次遇到手碟时的感觉，期望他们也能感遭到手碟的法力和用活跃的办法学习和演奏是多么风趣和轻松。他许多的学生们都惊奇地发现，只是和乐器触摸5小时后，他们现已能够有节奏的演奏、阅览曲谱、乃至用手碟演奏来表达自己的创意。
在坚持课程趣味性的一同，李荣满手碟工作坊会培育您的音乐理念、演奏技能、协调性、即兴创造才能、等等，让音乐的能量在讲堂上活动。而且，您将取得许多操练的时机，您能够在课程后回家操练至少3-6个月，以前进您的根本演奏技能并为下一个等级做好预备！李荣满是一位大师等级的教师、会极力与学生共享全部、不会有任何保存，并期望看到他们的前进和真实享用这个进程。
凭借现代多媒体技能，工作坊会以高像素视频和高保真音频录制，并免费供给给一切学生，这样他们就能够把一切课上资料带回家并更具自己的节奏来操练，就像李荣满还在他们身边辅导相同。
The process of learning to play the handpan is fascinating because the handpan is such an intuitive and personal instrument, very different from most others. Having been playing, creating, and performing with the handpan since 2005, Liron Man has developed unique style and many special techniques.
In his workshops, Liron Man transmits to the students his personal experience encountering the instrument and the magic of the handpan, how fun and easy it is to learn and play with a positive approach. Many of his students were surprised to discover that after 5 hours with the instrument they can already play rhythms, read notes and even express their own ideas.
Liron Man’s teaching methods help students develop musical ideas, technical skills, coordination, improvisation, and much more, while keeping the class fun and interesting, allowing the energy to flow in class. You will also be getting many exercises that you can later take home and practice for a period of at least 3-6 months to improve your basic skills and get ready for the next level! Liron Man is a master instructor who would be happy to share everything possible without holding back any information from his students, wanting to see you truly enjoy and advance.
Modern technology will allow the students to take all of the materials home and continue with your practice at your own pace, as if Liron Man is still there with you. The workshop will recorded and shared with all workshop members.
您的教师
手碟大师李荣满
MEET YOUR TEACHER
Handpan Master Liron Man
李荣满1985年12月19日出生于以色列的耐斯茨奧納市。他6岁的时分就开端学习钢琴，而10岁就举行了第一次独奏音乐会扮演。尽管在那之后他又演奏了许多场精彩的音乐会，对他来说，2011年12月17日与Jorge Pardo和Manuel Alejandro Diaz Buendia一同在西班牙奥利维拉大剧院的扮演、以及随后的欧洲巡回扮演是他音乐生计正式起步的标杆。李荣满19岁就开端和一些国际尖端的音乐人一同协作，一同为一些国际闻名的公司，如惠普、甲骨文、腾讯、等大型企业制造过音乐活动。
尽管许多乐器都给李荣满带来了启示和创意，他的独爱仍是弗拉门戈吉他和手碟。2004年一次偶尔的时机，他听到了Ziv Yehezkel的手碟扮演后就着迷了，并开端自学手碟。不久就被媒体发现、并被公认为是“全国际最快的手碟音乐人”。2010年，李荣满搬到了西班牙加迪斯省的赫雷斯与当地的吉普赛吉他手一同学习弗拉门戈吉他和文明，一同巡回国际扮演、创造新的音乐项目，如吉普赛和今世弗拉门戈加古典中东音乐的协作。很快成为了有名的弗拉门戈风格的音乐人，与顶尖的弗拉门戈音乐家、如Gema Moneo, Mara Rey等一同扮演。
从2008年到现在，李荣满在全国际近30个国家做过巡回扮演。尽管他一向被全国际的各种民族音乐招引，他的听众总是能够体会到一个多种风格的音乐与手碟那天然、幽静、空灵的旋律、和声、节奏之间彼此交融所带来的音乐之旅。他的音乐录制和扮演带有多种风格、并出书过一张与全国际19个音乐家一同创造的专辑。他也曾出现在Korrontzi乐队、Sergio Monroy等其他演员的专辑里。李荣满也由于他为一名歌手制造的专辑“Bird Dance”成为了加拿大民族音乐奖等候选人之一。
Green Day乐队开阔了他对音乐的知道和情绪、MuDvAyNe经过金属音乐让他体会到了不规则节奏的魅力、Mike Patton和Estradasphere让他了解到了音乐的五光十色和无尽的边际、而Paco De Lucia, Diego del Morao 等演员的弗拉门戈给他带来了音乐热心与自在的表达。
2014年，李荣满成为了一位严厉的纯素食主义者；这个饮食和日子上的个人改动不只影响了他的音乐、也让生命收到了启示和引导。2016年，李荣满开端在我国深渊的文明中、经过与不同的民族乐器协作磕碰、探究音乐里一套完好的新风格和全新的可能性。现在他正在不断精美化一系列新的协作、而且预备个人专辑与一张协作专辑的录制。
Liron man was born on December 19, 1985 in Ness Ziona, Israel. His musical journey began with playing the piano at age 6. His first solo performance was at age 10. Although he has performed in hundreds of concerts since, he considers his appearance at the Teatro Circo of Orihuela (December 17, 2011) with Jorge Pardo and Manuel Alejandro Diaz Buendia to mark the beginning of his musical career. Many of his important collaborations in performance took place after age 19, while Liron was also producing musical events for major corporations such as Hewlett Packard, Oracle, Tencent and many others.
While many musical instruments brought delight and inspirations, Liron developed particular passions and skills for the handpan and flamenco guitar. In 2004, Liron became fascinated with the handpan after attending a performance by Ziv Yehezkel. Soon after, having seen Liron’s own performances, the press gave him the title of the “fastest handpan player in the world”. In 2010, Liron moved to Jerez de la Frontera in the province of Cádiz, Spain, spent a considerable amount of time in Spain learning flamenco guitar, while touring around the world and producing special projects, such as collaboration of gypsy and modern flamenco with classical middle eastern music. He quickly became a renowned flamenco guitarist while performing alongside a number leading flamenco musicians such as Jorge Pardo, Gema Moneo, Mara Rey and more.
Since 2008, Liron had performed in more than 20 countries worldwide. Although he’s always been drawn to ethnic music from around the world, his audience can expect a musical journey of eclectic genres in combination with the naturally deep and meditative sound of the handpan in melody, harmony and the rhythm simultaneously. He has recorded and performed in a wide range of styles, and released an album in collaboration with 19 musicians of various backgrounds and nationalities. He also appears on albums of other artists such as Korrontzi band, Sergio Monroy, and more. Liron Man is also a Canadian Folk Music Awards nominee for the musical production of the album Bird Dance.
His influence include Green Day in taking an alternative musical approach, MuDvAyNe for their irregular rhythms within the world of metal music, Mike Patton and Estradasphere for the limitlessness of musical diversity, and Flamenco with artists like Paco De Lucia, Diego del Morao and many more for the boundless passion and freedom of expression in music.
In 2014, Liron became a strict vegan both in diet and in life style. This personal transformation also influenced not only his music but also brought clarity and inspiration to life in general. In 2016, Liron began to explore a whole new set of styles in world music and new possibilities in China, through a number of collaborative projects, while preparing to record his first solo album. In addition, he is also refining a number of new collaborations with Chinese traditional instruments, as well as a Latin project he calls Okéla.
手碟是什么？
WHAT IS HANDPAN?
手碟（Hang）是一种打击乐器，由两名瑞士人菲力·霍那（Felix Rohner）和萨宾娜·谢雷（Sabina Schärer）于2000年所创。手碟由两个半球型的钢模经过氮效果进程（gas-nitriding）组合而成，形同UFO。其上部有八到九个音，中心点为根底音“Ding”，其他七或八个音盘绕散布。底部的中心有个孔，为低声“Gu”，也可为调音用。
手碟于2000年被制造出来，并于2001年在法兰克福乐器展上露脸。其直径为52厘米，高为24厘米。手碟底部中心有个孔，称为“Gu”，其结构以亥姆霍兹共鸣器(Helmholtz_resonator)原理规划，一同也为调音用。音高的改动原理类同Talking drum。手碟的上部有7个音，绕中心点根底音“Ding”从低至高以Z字形摆放，各音阶与主体的亥姆霍兹共鸣器(Helmholtz_resonator)产生共鸣。
Hang is a percussion instrument created in the year 2000 by two Swiss scientists, Felix Rohner and Sabina Schärer. The handpan is made up of two hemispheric steel molds combined with a nitrogen processing (gas-nitriding) and is shaped like a UFO. Its upper part has the tones, the center point is the bass tone, the "Ding", and the remaining tones surround the handpan.
There is a hole in the center of the bottom shell, the "Gu" and can also be used for playing. The disc was made in 2000 and debuted at the Frankfurt Instrument Sonninstrument Fair in 2001. The original instrument was 52 cm in diameter and 24 cm high. Nowadays sizes change between different makers. The tones on the upper part of the handpan, arranged in a zigzag (left-right). The tones are oval shaped.
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